Showing posts with label RIP. Show all posts
Showing posts with label RIP. Show all posts

Saturday, March 18, 2017

In Memoriam Laure Gauthier

Hommage à Laure —
Faire le tour de sa vie en 180 images
Pour honorer sa mémoire


Après lui avoir rendue hommage avec des mots, voici un hommage en images à la vie de ma mère, Laure Gauthier, décédée d'un cancer le dimanche 5 mars 2017. Elle avait quatre-vingt-sept ans et a eut une belle vie bien remplie qui mérite d'être célébrée et commémorée. Puisse-t-elle continuer à vivre dans nos souvenirs…


Continuer après le saut de page >>

Tuesday, March 07, 2017

Laure Gauthier (1929-2017)

Ma mère, Laure Gauthier, est décédé paisiblement dans son sommeil dimanche le 5 mars 2017 d’un cancer sauvage des poumons. Elle avait quatre-vingt-sept ans et a eu une belle vie, bien remplie, qui mérite bien d’être célébrée et commémorée. Je lui suis reconnaissant pour toutes les merveilles qu’elle m’a transmises.

Elle est née en octobre 1929 à Maskinongé de Lucien Gauthier (1905-1944), tailleur, et de Lucia Ricard (1907-1991), qui doit reprendre son métier d’institutrice après le décès de son époux afin de pouvoir s’occuper (avec l’aide des parents) de sa famille de neuf enfants. Laure, qui est la deuxième enfant, épouse Claude Eugène Pelletier en octobre 1953 à l’église Notre-Dame des Sept-Allégresses de Trois-Rivières et ils ont quatre enfants qu’elle doit élever pratiquement seule car Claude, qui est preneur de son pour l’Office National du Film, est souvent parti en tournage. Ils s’établissent d’abord à Hull, puis aux Iles-Laval en février 1956.

En septembre 1970, alors que les enfants commencent à être un peu plus autonomes, elle entreprend des études en bibliotechnique, qu’elle complète en 1977 par des cours en archivistique (et paléographie). Cela lui donne les outils nécessaires pour appuyer Claude dans sa passion pour l’histoire et la généalogie. Elle devient membre de l’Association des Archivistes du Québec et s’implique, avec Claude, auprès de la Société d’Histoire de L’Ile-Jésus (contribuant, entre autre, à l'inventaire des archives de paroisses de l'Île Jésus et à la sauvegarde de la Maison André-Benjamin Papineau), puis de la Société de Généalogie (ils sont parmi les premiers à devenir des maître-généalogistes agréés au Québec) et, finalement, de l’Association des Familles Pelletier. En plus d’avoir collaborer avec son époux à l’élaboration d’une série de recueils généalogiques des Familles Pelletier (du Perche [2 vols], de Beauce, du Poitou) et d’un bulletin spécial de la Société d’Histoire de l’Île Jésus pour son 25e anniversaire, elle a écrit deux ouvrages: une biographie d’André-Benjamin Papineau (Cahier d’Histoire de l’Île Jésus #2, 1985) et une histoire de famille intitulée Le tour du Québec en 70 ans (qui demeure inédite).

Même si Claude était à la retraite de l’ONF depuis 1983, ce n’est vraiment qu’en 2004 qu’ils prennent du repos en diminuant leur engagement auprès de diverses associations et en vendant la maison des Iles-Laval pour s’établir plutôt dans une maison de retraite. Ils feront plusieurs voyages pour des colloques et ralliements généalogiques ainsi que des croisières dans le sud. Comme Claude est atteint de la maladie d’Alzheimer, Laure doit beaucoup s’occuper de lui, jusqu’à son décès en octobre 2015. Malheureusement, elle ne peut guère profiter de cette nouvelle liberté, car un peu avant Noël 2016 elle découvre qu’elle est atteinte d’un cancer du poumon. En janvier, il est devenu évident que c’est une forme très agressive de cancer et que les métastases se sont propagées au foie et aux os. En février, elle a commencé à avoir de la difficulté à respirer et le cancer des os est très douloureux. L'oxygène et de forts anti-douleurs l'aident pendant un certain temps, mais elle perd l'appétit et de la force très rapidement. À la fin, elle dort beaucoup. Elle est morte paisiblement dans son sommeil, chez elle. L’effort d’une respiration laborieuse fut probablement un peu trop pour son cœur. Ou peut-être qu'elle était juste prête à se laisser aller. Je suis heureux que sa souffrance ait pris fin. Puisse-t-elle reposer en paix.

Laure Gauthier était l’épouse de Feu Claude E. Pelletier (1928-2015), la mère de Feu Johanne (1954-1983), de Luce, de Francine et de Claude J., la belle-mère de Miyako Matsuda, la grand-mère adoptive de Sébastien Chartrand (Sonya Godbout-Gaucher). Elle laisse également dans le deuil sa sœur Micheline (Jean Morissette), ses frères Jacques et Marcellin (Marie José Hamelin), plusieurs belles-sœurs et beaux-frères.

La famille recevra les condoléances, en présence des cendres, le vendredi 17 mars de 15 h 30 à 20 h à la résidence funéraire Laval (salle Opale) de la Coopérative Funéraire du Grand Montréal (2000 rue Cunard, Laval, Qc). Un buffet sera servi vers 17 h et sera suivi à 20h d’un hommage en sa mémoire et d’une cérémonie de la parole. L'inhumation des cendres se fera ultérieurement en privé.

Les détails sur les funérailles sont disponibles sur le site de la coopérative funéraire et dans les pages d’avis de décès du Journal de Montréal du 11 et 15 mars.

Au lieu d'envoyer des fleurs, si vous désirez faire un geste en sa mémoire, nous vous suggérons de faire un don à la Société Canadienne du Cancer.

Si vous désirez écrire des messages de sympathie ou d'hommage, vous pouvez le faire sur la page Facebook de Laure.

Un diaporama commémoratif est aussi disponible (sur mon blog et sur Vimeo).

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Monday, March 06, 2017

Monthly notable news (W4-9)

The last month was rather depressing. Same old, tiring and annoying job. Grey and very cold weather. I feel that we live in a world that is increasingly absurd and selfish, where people don't respect anything or anyone anymore (and that's beside all the Trump crazyness). Also, I just realized that, although I have been “writing” all my life (probably since age ten or twelve), I have been involved with publishing 'zines for about thirty years and it has been already ten years since I've stopped publishing the magazine. Jeez, time really flies. Quite depressing. Finally, I also realized that I had read only twenty books last year! I really need to read and write more. Unfortunately, lately I've been lacking the stamina and motivation…

After a brief spring-like interval, the cold and snow are back. Like the Hobbits' second breakfast, this is our second winter. Or maybe the Indian winter. But spring is in sight. We just have to be a little patient. For now we get freezing rain again.

On the bright side, I solved most of the problems with my new Bell Home Hub 3000 router. Since I have lots of devices using wi-fi (nearly forty!), I first decided — in order to ease the transition — to create a guest network with the same name and password as my previous network. Unfortunately, the guest network uses just one band and therefore less antennas so its reach and power is a little lacking. I was able to get most of my devices to finally work properly by switching them one by one to the main network (which uses two band — 2.4 & 5.0 GHz — and several antennas). At first, many devices still didn't want to log into the main network so I had to resolve into forcing them with MAC filtering.

As for the phone line always dropping after ten to fifteen minutes due to some problems between the D-Link VoIP Gateway and the Bell router, it eventually stopped. Strangely just after a Bell technician rudely told me over the phone that they were not supporting VoIP and couldn't alter the router settings. I suppose they purposely don't support VoIP so their customer are forced to use Bell own phone system (at three time to cost of my current phone provider). Unfortunately the problem came back after a few weeks (just after I received a rebate offer in the mail for a Bell phone line -- a possible argument for the conspiracy theorists). I tried to bypass the problem by creating a DMZ for the VoIP Gateway and, so far, it is working. All this unfortunate situation confirmed my previous experience with Bell (and what I've been hearing from friends and on the internet): the Bell customer service is excellent up to the point where you sign up with them; once you are a paying customer they don't give a damn about you. Sad.

Finally, another reason for my late melancholic disposition is the fact that my mother was diagnosed with lung cancer just a little before Christmas. In January it became apparent that it was a very aggressive form of cancer and that metastases had spread to the liver and bones. In February, she started having difficulty breathing and the bone cancer was quite painful. Oxygen and strong pain-killer helped her for a while but she lost appetite and strength very quickly. In the end, she was sleeping most of the time. Yesterday, she peacefully passed away in her sleep, at home. The strain of her laboured breathing was probably just too much for her heart. I cannot forget her lifeless face but her expression was peaceful and I am glad that her suffering has ended. She took care of my father, who had Alzheimer's, for several years (until his death, last year) and we were hoping that she would have many more years to enjoy life after that, but it wasn't to be. She was eighty-seven year-old and has had a good life. I try my best not to be sad and rather choose to celebrate her beautiful life, preserve her memory and be thankful for all the greatness she gave me. May she rest in peace.

Despite all this, I managed to stay acquainted (a bit) with the affairs of the world. Here's some notable news & links that I came across this month and that I'd like to share with you, after the jump (in both french and english):

Saturday, February 11, 2017

Décès de Jirô Taniguchi

C'est avec grande consternation que j'ai appris cet après-midi, via Facebook, le décès d'un des mangaka que je respectais le plus: Jirô Taniguchi est décédé samedi à l'âge de 69 ans! La cause du décès n'a pas été précisé. Il nous manquera terriblement. Toutes mes condoléances à sa famille, ses proches ainsi qu'à ses nombreux admirateurs qui, particulièrement en Europe, ont découvert et grandement apprécié la qualité de son travail. Requiesce in pace, mi magister!

[Sources: ANN, AnimeLand, Le Figaro, Le Monde, Variety, Yahoo]

Voir aussi: Google et The Manga Critic’s Guide to Jiro Taniguchi.

Lire la suite après le saut de page >>

Sunday, September 18, 2016

Weekly notable news (W37-38)

The first two weeks of September proved to be rather challenging. First, I was trying to see as many of the Japanese movies shown at the Montreal World Films Festival as I could despite the troubles that the festival was experiencing and the fact that the schedule was constantly changing. Then, my wife woke up in the middle of the night with excruciating abdominal pain and we ended up at the hospital's emergency ward. They kept her for five days and performed several tests without being sure of the nature or cause of the problems. They found some sort of enteritis to the small intestine and a gastritis. She feels well now, but it is a worrying situation since we're still waiting for the result of the biopsy and more tests are scheduled. She survived cancer once ten years ago, so we are waiting the results with apprehension.

It was tiring for me during that time because I had to shuttle back and forth between work (a.k.a the madhouse), the hospital and (once) the film festival. But the beginning of September also brought a few good news: Apple announced some new products as well as released updates, and I got a well over-due pay raise! Unfortunately, there's still five-hundred-and-fifty-seven weeks left before I can retire from work and dedicate my entire time to my personal projects (like writing).

Despite all this, I found time to watch a few dvds at home with my wife. First, we watch Belle et Sébastien 2: L'Aventure continue. It's a cute adventure dog movie, full of improbabilities but it also reminded me of the TV series I was watching when I was a kid. Then I watched Gods of Egypt (by myself because my wife doesn't like sci-fi stuff), which tells — super-heroes style — the founding myth of Egypt where Horus must fight his uncle Set who killed his father Osiris in order to reign over Earth. Horus is helped by the thief Bek, who just want to save his lover Zaya. If you would removed the specials effects from this movie, it would have nothing left of interest…

Finally, I watch Hail, Caesar. It's a star-laden film by the Coen brothers which poke fun of the Hollywood film industry in the 1950s while managing to recreate several of its archetypes: the peblum movies, the synchronized swimming and tap dancing movies, stunt-filled westerns, etc. The film follow studio manager Eddie Mannix (Josh Brolin) trying to hold production together while unmarried actress DeeAnna Moran (Scarlett Johansson) becomes pregnant and big star Baird Whitlock (George Clooney) is abducted by a conspiration of communists! Hilarious, beautifully written and an interesting window on the era.

As always I did my best to keep myself acquainted with the affairs of the world. So, let me share with you a few notable news & links that I came across in the last few weeks (in no particular order):

Monday, September 05, 2016

Weekly notable news (W36)

I always do my best to keep myself acquainted with the affairs of the world. So, let me share with you a few notable news & links that I came across this week (in no particular order):


Revue de Presse du FFM


[ Traduire ]

Thursday, December 24, 2015

Akiyuki Nosaka passes away

Earlier this month, I read on Anime News Network that Akiyuki Nosaka, the novelist who wrote the famous japanese story Grave of the Fireflies (火垂るの墓 / Hotaru no Haka), passed away on December 9 at the age of 85. Written in 1967, the story was semi-autobiographical as it was inspired by his war-time experience as a kid, particularly the firebombing of Kobe in 1945.

In 1988, the novel was adapted into a beautiful animated movie by Studio Ghibli under the direction of Isao Takahata.

Monday, November 30, 2015

Shigeru Mizuki 1922-2015

I just read on Anime News Network yesterday that Shigeru Mizuki passed away on Monday morning in a Tokyo hospital of heart failure following a bad fall in his home on November 11.

I just bought a couple of his manga to comment on them later. I had previously commented on two of his works:


Here's what I wrote about him in those comments:

Sunday, November 01, 2015

Funérailles Claude E.

Pour ceux qui n'ont pas pu être présent aux funérailles de Claude E., en voici un petit mémento:


Le montage audiovisuel est disponible sur Vimeo et les photos comme telles sont aussi disponible sur Flickr. (Mis à jour avec des photos de la mise en terre)

J'en profite pour remercier tous les parents et amis qui sont venu nous offrir leurs condoléances et support en ce moment difficile.

Plusieurs m'ont demandé de pouvoir revoir le montage commémoratif que j'ai fait pour les funérailles. Le voici donc:


La video est disponible sur Vimeo (une version avec un peu plus de photo y est aussi disponible) et l'album photo commémoratif (annoté) est quand à lui disponible sur Flickr.

Ne soyez pas triste
Célébrez plutôt sa merveilleuse existence
Souvenez-vous de lui
Car c'est notre devoir de le commémorer
Souvenez-vous de lui
Car il vivra toujours dans nos mémoires


Merci encore une fois.

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Saturday, October 24, 2015

Précisions sur les funérailles

Pour faire suite au billet qui fait hommage à mon père, qui est décédé à Montréal le 17 octobre dernier, voici quelques précisions sur les funérailles.

La famille recevra les condoléances à la Résidence Funéraire de Laval de la Coop Funéraire du Grand Montréal (2000 rue Cunard, Laval, Qc) samedi le 31 octobre de 13 h 30 à 16 h. Un hommage en sa mémoire et une cérémonie de la parole suivra à compter de 16 h. L'inhumation des cendres se fera ultérieurement en privé.

Vous trouverez les détails dans les pages d'avis de décès du Journal de Montréal d'aujourd'hui ou sur le site de la coopérative funéraire.

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Saturday, October 17, 2015

Claude E Pelletier 1928-2015

Mon père, Claude E. Pelletier, est décédé la nuit dernière (samedi 17 octobre) aux soins palliatifs de l'Hôpital Sacré-Coeur des suites d'une pneumonie. Il aurait eu quatre-vingt-sept ans le mois prochain. Il a eu une vie longue et bien remplie qui mérite amplement d'être célébrée sans le moindre regret.

Il a grandi sur la rue Marie-Louise à Montréal, derrière le Théâtre Saint-Denis, car son père, Jules-Alphonse Pelletier, était le concierge de l'École Jeanne-Mance qui, par un étrange hasard, abrite maintenant la Cinémathèque Québécoise. Il a fait carrière dans le cinéma, étant preneur de son d'abord au Studio Renaissance Films à Montréal, puis pour l'Office National du Film à Ottawa, puis à Montréal. Ce travail l'amène à voyager un peu partout au Canada et dans de nombreux pays du monde. À la fin des années soixante, il devient gestionnaire à l'ONF et s'occupe de son premier département de video, avant de prendre en mains la gestion des plateaux et des équipes de tournage comme superviseur des opérations au Service de la pré-production.

Un peu ébranlé par le décès de sa fille aînée, Johanne, et désabusé par le début du long démantèlement de cette grande institution fédérale qu'était alors l'ONF, il prends sa retraite en 1983 après trente-cinq ans de service et avoir vu son nom apparaître au générique de près d'une centaine de films. Il se consacre alors à sa véritable passion: la généalogie. Un des premiers maître-généalogiste agréé du Québec, il s'implique avec grand dévouement auprès, entre autres, de la Société d'Histoire et de Généalogie de l'Île-Jésus et de l'Association des Familles Pelletier.

Il laisse dans le deuil son épouse Laure Gauthier, ses enfants Luce, Francine et Claude J. (Miyako Matsuda), les familles de ses frères et soeurs (Alice [feu Jean-Vianney Yale], Pauline [feu André Langlois], Soeur Madeleine [Congrégation Notre-Dame], Pierre [Micheline], Cécile [Gérard Saint-Jean] et Gilles [Marguerite] lui survivent), ainsi que de nombreux parents et amis.

La famille recevra les condoléances à la Résidence Funéraire de Laval de la Coop Funéraire du Grand Montréal (2000 rue Cunard, Laval, Qc) samedi le 31 octobre de 13 h 30 à 16 h. Un hommage en sa mémoire et une cérémonie de la parole suivra à compter de 16 h. L'inhumation des cendres se fera ultérieurement en privé.

Vous trouverez les détails dans les pages d'avis de décès du Journal de Montréal ou sur le site de la coopérative funéraire.

Au lieu d'envoyer des fleurs, si vous désirez faire un geste à la mémoire de Claude E., nous vous suggérons de faire un don à la Société de l'Alzheimer de Montréal.

J'ai déjà parlé de mon père à deux reprise sur ce blogue (lors d'un commentaire sur le film YUL 871 et en introduisant les portraits d'artisans du cinéma de l'ONF). Aussi, je mettrai prochainement en ligne un album photo commémoratif (probablement sur ma page Flickr ou Vimeo). Pour le moment, je lui rends hommage en reprenant ici la video de son “portrait d'artisan du cinéma” que j'ai mis sur Vimeo l'été dernier:


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Thursday, June 04, 2015

R.I.P. Joël Champetier

Joel Champetier, Boréal 2008Joël Champetier est décédé d'une façon paisible durant la nuit du 30 mai. Je l'ai appris samedi matin par un coup de téléphone de Pascale Raud.

Il a vaillamment combattu la leucémie. Après de longues recherches afin de trouver un donneur compatible pour une greffe de moelle osseuse, il a dû subir plusieurs traitements expérimentaux afin de faire reculer suffisamment la leucémie pour permettre la greffe. Après de nombreux revers, il a du se rendre à l'évidence: les traitements étaient inefficaces. Le 19 avril il s'est donc résigné avec une certaine sérénité à attendre la fin. Le 25 mai, il a décidé d'interrompre les transfusions de plaquettes et de sang et de s'en remettre aux soins palliatifs. Dans la dernière semaine, son état s'est rapidement détérioré. Nous savions tous que la fin était proche. Le 30 mai, il s'est paisiblement éteins dans son sommeil et a finalement trouvé la paix. [Photo prise à Boréal 2008]

J'offre donc toutes mes sincères condoléances à sa famille, ses amis et ses lecteurs, mais tout particulièrement à sa courageuse compagne, Valérie Bédard.

Nous nous sommes rencontré, je crois, à l'un des ateliers d'écriture d'Élisabeth Vonarburg en 1981 et j'ai continué de le voir sporadiquement, de Boréal en Boréal. À mon grand regret, sans doute à cause de ma nature timide, je ne le connaissais pas très bien mais j'ai toujours grandement admiré tant sa personnalité affable et enjouée que son talent indéniable. J'ai eu le grand honneur de publier (sous la direction littéraire de Yves Meynard) deux de ses textes: “Les vents du temps” (dans Samizdat 8, 1987) et “Karyotype 47, XX, +21” (dans l'anthologie Sous des soleils étrangers, 1989). C'est la seconde fois que la leucémie emporte quelqu'un que je connais.

Une cérémonie de commémoration aura lieu à St-Séverin-de-Proulxville dimanche le 7 juin 2015 à 15h30. Pour en savoir plus ou pour rendre hommage à la mémoire de cet auteur des éditions Alire qu'on a parfois qualifié d'être le «Stephen King québécois» vous pouvez vous rendre sur la page Facebook de Joël Champetier.

De nombreux hommages lui ont déjà été rendu tant sur les blogues d'adeptes de la SFFQ (Culture des futurs, Frédérick Durand, Fractale Framboise, Michèle Laframboise, Une doyenne, une sorcière et un caniche pour ne citer que ceux là), dans les média (L'Écho Abitibien, Ici radio-Canada, Les Libraires, Locus, MonSFFA, Le Nouvelliste, et, bien sûr, Solaris) et même sur Youtube.

So long Joel, and thanks for all the soluble fish (and other stories) !


Pour plus d'information vous pouvez consulter les sites suivants:

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Friday, March 27, 2015

R.I.P. Yoshihiro Tatsumi

Earlier this month, on March 7, 2015, a member of the mangaka old guard passed away. Yoshihiro Tatsumi was seventy-nine year-old. He is most famous for having invented the word “gekiga” (lit. dramatic pictures) to describe the style of graphic novels he was producing in the '50s. Nearly a dozen of his works have been translated either in english by Drawn & Quarterly or in french by Cornélius or Vertige, but he is best known for his graphical autobiography A Drifting Life (which I have previously commented).

Yoshihiro TATSUMI [辰巳 ヨシヒロ] was born in 1935 in Tennōji-ku, Osaka. Inspired by the work of Osamu TEZUKA and Noboru ÔSHIRO, he starts drawing manga in junior high school and has his first works (simple 4-panel and postcard manga) published in 1949. His first full-length story, Kodomojima (Children's Island), is published by Tsurushobô in 1954. He becomes part of a group of artists based in the Kansai region publishing mostly for the Kashi-hon ya market (libraries specialized in renting hardcover books—many publishers, like Hinomaru bunko, produced their books and anthologies exclusively for that market). He then starts to be regularly published in manga compilation (contributing to anthologies like Kage [Shadow] or Machi [City]) and constantly experiments with his storytelling. His stylistic research culminate with the publication of Kuroi Fubuki (Black Snowstorm) in 1956.

Tatsumi (and the group of artists he associated with: Takao SAITÔ, Masaaki SATÔ, Masahiko MATSUMOTO among others) was writing action-oriented stories that were darker than the typical manga, and therefore, aimed at an older, more mature readership. His stories were about people's everyday life and were using realistic themes that were more in sync with the socio-political problems of the time. In order to express such a complex storytelling he was using artistic techniques inspired by cinema (he was a big movie fan). That allowed for more expressive stories, as the narrative was better paced and the action flowing more naturally through the panels. In order to distinguish his style from the more comical and childish manga that was usual at the time, Tatsumi gave it the name “gekiga” (drama pictures). His group of artist was known as the “gekiga workshop.”

Yoshihiro TATSUMI is not my favourite mangaka (and so far i've read only A Drifting Life) but I have great respect for his role in the history of manga and for his work. His style was rather crude and cartoony (like most artists of his time) but he created great stories.

For more information you can check the following websites:

(Sources: ANN, The Guardian, ICv2 / Image Source: Andreas Rentz-Getty Images Europe [via ANN])

[ Traduire ]

Monday, March 11, 2013

Toren Smith (1960-2013)

This week, I was aghast to learn (via Anime News Network and James Hudnall) that one of the founding pillar of the manga industry in North America had passed away. Toren Smith was probably the first to go to Japan in order to negotiate publishing rights for manga titles, translate them into English (working with his friend David Lewis, later known as Dana Lewis, whom he met in Japan) and team up with American comics companies (like Viz, Eclipse and Dark Horse) to publish them -- for that purpose he created Studio Proteus and thus kickstarted the manga industry in North America. For this we should all be immensely grateful and indebted to him.

I met Toren for the first time in August 1989 at the San Diego Comic Convention, where my friend Alain Dubreuil and I interviewed him for Protoculture Addicts, and I kept seeing him in several other conventions after that. However, my wife knew him quite well. Married twice (mostly to the artist Tomoko Saito), he led a full and interesting life. He was an enthusiastic and multitalented individual, a shrewd businessman (he didn't talked much about it but a good part of his income came from translating hentai manga, most of them published through Fantagraphics' imprint MangErotica) and a great guy. He brought us so many excellent manga, gave us (with Adam Warren) the Dirty Pair comics and even had a cameo appearance in the anime Gunbuster (at first I thought he had seriously pissed off Gainax people, because when someone put you in their animation only to kill you off it's usually not out of love, but I later learned that it was meant as an expression of great respect and friendship).

Toren Smith died on Monday March 4th 2013 at age 52 (way too young) and the cause of his death has not been made public. My wife and I want to express our most sincere condolences to Toren's family, friends and fans. Requiescat in pace Smith Toren!

Many members of the anime and manga community commented on his passing (Japanator, Right Stuf, The Fandom Post, All Day Comics, Gilles Poitras, The Mike Toole Show and I'm sure you can find more on Google), but if you have to read only one piece about Toren I suggest you check the obituary by Jonathan Clements.

For my part, as a tribute to Toren Smith's life and career, I would like to offer you the interview we made with him and published in Protoculture Addicts #7 (pages 21-24) in the Spring 1990. Read the interview after the jump:

Monday, October 04, 2010

Tony Curtis (1925-2010)

To pay tribute to Tony Curtis, who died last week, I am re-posting this video of the press conference he did at the Montreal World Film Festival in 2008 to talk about the documentary “The Jill and Tony Curtis Story.”

Tony Curtis from clodjee on Vimeo. (Also available on Blip.tv).

Tuesday, April 20, 2010

R.I.P. Carl Macek

I learned yesterday that Carl Macek (1951-2010) passed away following an heart attack on saturday.

He is known for having created Robotech (by brilliantly—although it was controversial—stitching together three different japanese animation: Macross, Southern Cross and Genesis Climber Mospeada) and for adapting into English language many other anime (Akira, Crying Freeman, Doomed Megalopolis, Lensman, Robot Carnival, Twilight of the Cockroaches, and Wicked City). He also collaborated to the production of many other animations (Aura Battler Dunbine, Bleach, Heavy Metal, Lady Death, Lupin III: Castle of Cagliostro, My Neighbor Totoro, Naruto, etc).

This is quite a sad new. I met him several time (mostly in comic-book and anime conventions, starting in the late '80s) and I have always admired his pioneering work. Since he is responsible for having me discover the rich world of Japanese animation (and, by extension, manga), I owe him a lot. I remember him telling us (embellished) stories about the production of Robotech, and it was so skillfully told that we were suspended to his lips like children listening to a fairy tale, sometimes laughing but always captivated. Since that time, we—our bunch of friends at Protoculture Addicts—were calling him “Uncle Carl.” To paraphrase what was said about Commander Fokker in “Farewell, Big Brother” (episode 18 of Robotech), his death is “a terrible tragedy indeed. I can tell you [he] will be sorely missed.”

You can read tributes to his life on many other web sites: from Jerry Beck (co-founder of Streamline Pictures), from Tommy Yune (director or the new Robotech: The Shadow Chronicles movie), from Rebecca Forstadt (who voiced Minmei as “Reba West”), on ANN and on ICv2.

Requiescat In Pace, Carl Macek.

Saturday, November 29, 2008

Emru Townsend dies at 39

Emru Townsend died of leukemia on November 11. He was only 39 years-old.

We have already talked about his diagnosis, his quest for a bone marrow donor and his successful transplant. Unfortunately, his cancer was too aggressive and the leukemia didn't go into remission despite the successful transplant. Many have already written his eulogy and obituary (ANN, The Gazette, PC World), so there's no need for me to write about that. However, I still wanted to say a few words about him.

I didn't know him very well, but I wish we'd stayed more in contact. We worked on a few projects together in the late 80s and early 90s, but recently we were only meeting by chance in conventions and festivals. He started collaborating with Protoculture Addicts with issue #2 (providing ideas, news blurbs and working as proofreader) and we started together the first anime club of the University of Montreal. After a while Emru drifted away to work on his many projects (he always had new ideas and projects) and I took care of the anime club alone. He contributed only a few articles in the magazine (mostly one on Project A-ko in #4 and one on Akira in #7), but his work was excellent and he pitched in many ideas and always provided encouragement.

Quickly after starting working with us, he requested to be made partner. I answered that I would like him to work with us at least a year before considering that. He couldn't wait, so he left and started his own magazine, FPS. I always felt that he never forgave me for that. Later, he heavily criticized the quality of our Anime Guide book, blaming me personally (and my french-canadian origins) for the book's flaws (despite the fact that I only wrote the presentation and supervised the project, hiring instead the best Italian translator and the best English editor that we could afford). It was probably a philosophical difference: I guess Emru was a perfectionist while I am rather a pragmatist (after having worked six years to get that book published I wanted the information—the data—available to anime fans and scholars as soon as possible even if I knew that its form and presentation were quite imperfect). However, despite those differences, I never felt animosity between us and I always admired the quality of his work and dedication.

He was a great guy and he will be sorely missed by all animation fans. I want to express my sincere condolences to his family and friends.

You can visit Emru's Blog, Facebook group and web hub to learn more about his work.